So ends John Milton’s epic Paradise Lost with Adam and Eve expelled from the garden and things looking not remotely rosy. Choosing English Literature A Level is a way of regaining paradise. All that wonderful poetry, those fascinating dramas and intriguing novels; the world is all before you once again and you are presented with the opportunity to make some sense of it. The A Level course puts central texts at the heart of what you study as well as providing the chance to read much more recent literature. It also presents the opportunity for close literary analysis and comparison that remains so central to an understanding of texts.
Aims
This course puts central texts at the heart of what you study as well as providing the chance to read much more recent literature. It also presents the opportunity for close literary analysis and comparison that remains so central to an understanding of texts.
English Literature remains one of the ‘gold standard’ A Levels and is widely respected by universities regardless of your eventual course of study. The syllabus offers opportunities for close reading and analysis as well as the consideration of texts in context. It provides some wonderful opportunities for exploring related texts and getting to grips with the mechanics of literary analysis before we start on the main set texts.
Nature of the Course
- The focus on Shakespeare is retained, as is the study of poets and dramatists who have remained at the core of university study over the past century.
- Option to study more thematically linked texts in topic areas like the Gothic, Dystopia, American Literature, Women in Literature and The Immigrant Experience.
The Syllabus
Examination board: OCR (H472)
Component 1 includes Shakespeare and Drama and Poetry from before 1900. The Shakespeare play is chosen from the following: Coriolanus, Hamlet, Measure for Measure, Richard III, The Tempest or Twelfth Night. The poets include Chaucer, Milton, Coleridge, Tennyson and Christina Rossetti. The dramatists are Marlowe (Edward II), Webster (The Duchess of Malfi), Goldsmith (She Stoops to Conquer), Ibsen (A Doll’s House) and Wilde (An Ideal Husband). In each case one text is chosen for detailed study. The Shakespeare question will require the close analysis of an extract from the play followed by an essay question. The drama and the poetry texts will be tested by an essay question with a thematic or literary focus requiring candidates to compare the two texts in question.
Component 2 requires close reading in a chosen topic area. The topic areas are American Literature 1880–1940, The Gothic, Dystopia, Women in Literature and The Immigrant Experience. This is a comparative and contextual paper requiring the study of two texts from a prescribed list. The examination will include a close reading question on an unseen prose extract and a comparative essay on two whole texts.
Component 3 is coursework based on literature from after 1900. Task 1 requires candidates to choose either a close reading or a re-creative writing task with a commentary amounting to 1000 words. Task 2 will be a 2000 word essay that explores contrasts and comparisons between two texts, informed by different interpretations and an understanding of contexts.
Assessment Details
Component 1: Shakespeare and Drama and Poetry from before 1900 (2 hours and 30 minutes, closed text) 40% of the Qualification.
Component 2: This is a comparative and contextual paper requiring the study of two texts from a prescribed list. (2 hours and 30 minutes, closed text) 40% of the Qualification.
Component 3: is coursework based on literature from after 1900. 20% of the Qualification.
Further Information
The OCR A Level in English Literature qualification will build on the knowledge, understanding and skills established at GCSE, introducing learners to the discipline of advanced literary studies, and requires reading of all the major literary genres of poetry, prose and drama.